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Before anyone steps onto the catwalk in “Cats: The Jellicle Ballpeso luck,” the wildly popular reimagining of Andrew Lloyd Webber’s “Cats” at the Perelman Performing Arts Center, a dancer’s silhouette appears at the back of the stage, darting across
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Arlene Crocequeen777, the great American dance critic who wrote for The New Yorker from 1973 to 1996, died on Monday morning, the day before Les Ballets Trockadero de Monte Carlo lifted the curtain on its December season at the Joyce Theater. Many o
If there is one role that defines opera in the popular imagination — and the emotional extravagance and technical difficulty associated with classical singing — it is the Queen of the Night. The manipulative uber-mother in Mozart’s “The Magic Flute”
The Metropolitan Museum of Art is, in these darkest days of midwinter, one of the city’s spiritual hot spots, thanks to the harmonic convergence of two outstanding and very different exhibitions, both closing soon. On a visit to the treasure-chest d
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“Drop the Dead Donkey,” available on the Roku Channel and Pluto, is a six-season British sitcom that debuted in 1990. It’s set at GlobeLink, a news station, and the show’s scripts were completed just before broadcast in order to include topical news